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Donatello: Madonna of the Clouds.
[ send
me this paper ] (9 pp) We are fortunate to be able to view this
unique work of Donatello,(1386-1466), The Madonna of the Clouds (1425-35)
at the Boston Museum of Fine Arts. This small bas relief was a gift of
Quincy Adams Shaw through Quincy A. Shaw Jr., and Mrs. Marian Shaw
Haughton, in 1917 (catalog #17.1470) and has even been referred to as the
"Shaw" Madonna. In this discussion we will consider the relationship of
this marble to its original presentation and purpose; we will review the
scholarship surrounding the piece; as well as review some personal
opinions of the author concerning the piece. Bibliography lists 4 sources
(includes 2 visuals) Filename:
BBdntloR.doc
Duccio di Buoninsegna’s Maesta Altarpiece in the
Cathedral of Siena [ send
me this paper ] This 7 page report discusses the richly embellished
Maestà Altarpiece (created 1308-1311) is an example of how numerous
Italian paintings were originally parts of altarpieces, which are several
paintings grouped in one large panel to adorn an altar. Italian painter,
Duccio di Buoninsegna (1255-1319), founder of the Sienese school of
painting, was a forerunner of the Renaissance style, who fundamentally
perfected the Byzantine tradition in the art of medieval Italy. All of his
work involves a religious subject and is characterized by sensitive
drawing, skillful composition, a decorative quality akin to that of
mosaic, and a more intense emotional tone than that of the Byzantine
models he followed. Bibliography lists 5 sources.
Filename: BWaltar.wps
Edward Hopper's Nighthawks [ send
me this paper ] This 5 page paper evaluates this 1942 oil painting
that contains a study of the quiet side of New York's nightlife. This
brilliant painting has been well received. A general discussion on
techniques, color and shading are included along with an interpretation of
the work's meaning. Bibliography lists 4 sources.
Filename: SA116Ed.wps
El Greco [ send
me this paper ] (8 pp) A personal and artistic treatment of this
sixteenth century artist. Influences upon and resulting influences by El
Greco are discussed. Bibliography lists 5 sources, and one visual. Filename: BBelGrec.doc
Essays on Art, Feminist and Modernism
[ send
me this paper ] This 75 page study outlines 9 essays that integrate
views on art, art history, socialization, and the development of feminist
sensibilities. This paper outlines the central elements related to
specific questions on art and social development and creates a means of
understanding the substantial variations in artistic development, from
Buddhist influences to Postmodernism and the integration of social views
of men and women. Bibliographies list 25 sources.
Filename: MHartbig.wps
Ethnography -- “the study and systematic recording
of human cultures” of Rubber Stamp Artists [
send
me this paper ] This 11 page report discusses ethnography and
serves as an ethnographic report of the unique “social world” of artists
who create their art with rubber stamps. The ethnographic review of one
person’s particular “social world” can be considerably simplified when one
thinks more of the many passions most people hold and those in which they
participate in that passion with a group of fellow enthusiasts, fans,
creators, collectors. Or, they are members of distinct ethnic, religious,
cultural, or social groups. In other words, people who are brought
together and connected in ways that they have chosen rather than groups of
people who are born into a certain group. Such factors as a common
activity, unique vocabulary, socialization, identities, and relationships
are considered in the context of rubber stamp artists. Bibliography lists
6 sources. Filename:
BWethno.wps
Experimental Typographer Frank Ford
[ send
me this paper ] A 5 page essay that explores the historical
background and artistic content of three of Ford's typographical fonts.
Bibliography lists 4 sources, including Ford's personal description of
this art. Filename:
Typoford.wps
Explication of Painting / Poussin's "Summer"
[ send
me this paper ] A 3 page essay reviewing a work by Nicolas Poussin
on display at N.Y.'s Metropolitan Museum of Art. The work is sometimes
called "Summer"-- or at other times, it is known as "People." The writer
of this paper expresses why the first of these titles is more applicable.
Examined are the artist's use of landscape, dimension, story, color
accuracy, and more. No Bibliography. Filename:
Paintin2.wps
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